Saturday, April 14, 2012
Thursday, April 12, 2012
HEAVEN IS WHERE I BELONG
Wish, that she comes along
To a place where I belong
Away, from the agony of humans
Into tranquility of heavens
I hope that she walks beholding me,
Taking each step in joy
As the path keeps unfolding
And she in smiles rejoices
There is my family dear
It's distant for all and not near
I am happy for what you have become
Now that you have come,
I am so very pleased to welcome
Monday, April 9, 2012
MIYA BIWI (A PLAY) - HINDI
About the Play :
Adapted from the original Marathi Play ``Shri Tashi Sau`` written by Yogesh Soman into Hindustani by Saurabh Gharipurikar. This is a story about a Hyderabadi couple going to court to nullify their nuptials by divorcing each other for the final time. During the course of funny incidents, they realize that after so many fights they cannot live without each other.
My Review :
One of the most hilarious plays I had seen, it rocked right from the word go with laughter. It had the audience in splits in each scenario. How does a wife cooks for husband, calling Maggi noodles as Chinese? How does a wife learn driving, getting off the scooter seeing her mother? How does the husband love, giving flowers to another woman? How does a husband take a wife to movie, forgetting the movie tickets? Does such things really happen.
I was perplexed with such scenes interlaced with an awesome writing and that too the hyderbadi dialect helped in many matters
Wife : Aji Sunte?
Husband : Sunaate?
The lingo just helped boost the already highly comical play to a higher level. I was told that it was directed by Krishna Shukla and am so very happy that this guy had done a great job.
I would recommend this play and if given a chance may be I will go for it again. Just loved it. A 5/5 for this
Adapted from the original Marathi Play ``Shri Tashi Sau`` written by Yogesh Soman into Hindustani by Saurabh Gharipurikar. This is a story about a Hyderabadi couple going to court to nullify their nuptials by divorcing each other for the final time. During the course of funny incidents, they realize that after so many fights they cannot live without each other.
My Review :
One of the most hilarious plays I had seen, it rocked right from the word go with laughter. It had the audience in splits in each scenario. How does a wife cooks for husband, calling Maggi noodles as Chinese? How does a wife learn driving, getting off the scooter seeing her mother? How does the husband love, giving flowers to another woman? How does a husband take a wife to movie, forgetting the movie tickets? Does such things really happen.
I was perplexed with such scenes interlaced with an awesome writing and that too the hyderbadi dialect helped in many matters
Wife : Aji Sunte?
Husband : Sunaate?
The lingo just helped boost the already highly comical play to a higher level. I was told that it was directed by Krishna Shukla and am so very happy that this guy had done a great job.
I would recommend this play and if given a chance may be I will go for it again. Just loved it. A 5/5 for this
Sunday, April 8, 2012
APRIL FOOL (A PLAY) - HINDI
About the Play:
April Fool pranks can be notorious... but truth can be uglier! How many of us have dealt with imprisonment of all sorts inside our own homes, where freedom of speech, freedom of thought & freedom as such is a rare entity. Hasn’t the world seen the most disturbing parental relationships, yet? The impact of a disturbed childhood is grave, not even close to what a non-victim can imagine! The story of four roommates (Anil, Ajay, Sirish & Rakesh) in a college hostel who plan to play a prank with their friend to pull his leg. The four boys have been together for a while now, they know each other pretty well. Three of them plan to tell Ajay that his father is here & waiting for him in the room. He is shocked, because his father never came to see him in three years. He rushes to the room to meet his father & finds out that there is nobody in the room except for his three prankster friends. He is irritated because they used a wrong topic to pull his leg. But the three friends do not back off and cause their friend to get angrier at his friends.
My Review:
I wish it had a simpler climax than a dramatic one and it was a bit shorter than it actually is.
Actually acted well except for Rakesh who felt a bit out of place as he was too lean to be considered an athletic body, the others fit well. Ajay as Krishna Shukla, our protagonist was the show stealer as he brought out the whole play together by his acting. Be it humor or drama he went with the flow and at times, I as an audience was perplexed at his sheer execution of the drama.
It was not as if it was for the first time, someone is doing some kind of this act and we had seen such acts before too, be it in films or otherwise. But the act still works as it engrosses the audience each time by belief and then fooling around with the belief. The audience knows it very well, that there is no character as his father, yet we are succumbed to know if there was any and is he seen by Ajay. It leaves us with a question at the end as to who is real April fool? Are we as audience or is Ajay as the protagonist or those friends of Ajay, who made a joke of April fool at Ajay. So it is commendable to hold that grip yet the play as a whole did not rise above the script and was just shown as written.
I wish the writer directs the play well too or rather helps the director in getting more hilarious moments and placing them together. Please tone down the drama part and this would for sure make a good play to watch. As of today, it was more of passing time than a serious must watch.
April Fool pranks can be notorious... but truth can be uglier! How many of us have dealt with imprisonment of all sorts inside our own homes, where freedom of speech, freedom of thought & freedom as such is a rare entity. Hasn’t the world seen the most disturbing parental relationships, yet? The impact of a disturbed childhood is grave, not even close to what a non-victim can imagine! The story of four roommates (Anil, Ajay, Sirish & Rakesh) in a college hostel who plan to play a prank with their friend to pull his leg. The four boys have been together for a while now, they know each other pretty well. Three of them plan to tell Ajay that his father is here & waiting for him in the room. He is shocked, because his father never came to see him in three years. He rushes to the room to meet his father & finds out that there is nobody in the room except for his three prankster friends. He is irritated because they used a wrong topic to pull his leg. But the three friends do not back off and cause their friend to get angrier at his friends.
My Review:
I wish it had a simpler climax than a dramatic one and it was a bit shorter than it actually is.
Actually acted well except for Rakesh who felt a bit out of place as he was too lean to be considered an athletic body, the others fit well. Ajay as Krishna Shukla, our protagonist was the show stealer as he brought out the whole play together by his acting. Be it humor or drama he went with the flow and at times, I as an audience was perplexed at his sheer execution of the drama.
It was not as if it was for the first time, someone is doing some kind of this act and we had seen such acts before too, be it in films or otherwise. But the act still works as it engrosses the audience each time by belief and then fooling around with the belief. The audience knows it very well, that there is no character as his father, yet we are succumbed to know if there was any and is he seen by Ajay. It leaves us with a question at the end as to who is real April fool? Are we as audience or is Ajay as the protagonist or those friends of Ajay, who made a joke of April fool at Ajay. So it is commendable to hold that grip yet the play as a whole did not rise above the script and was just shown as written.
I wish the writer directs the play well too or rather helps the director in getting more hilarious moments and placing them together. Please tone down the drama part and this would for sure make a good play to watch. As of today, it was more of passing time than a serious must watch.
కష్టజీవి
కష్టజీవికి ఎప్పుడూ కష్టమే ఇష్టం
వాడికి క్షణకాలమైనా తీరికగా గడపటం చాలా కష్టం
కష్టం చేసే వాడికి ఫలితం దొరకకపోవచ్చు
ఫలితాన్ని అనుభవించే వాడికి కష్టం తెలియకపోవచ్చు
అయినా ప్రపంచం సాగిపోతూనే ఉంటుంది
ఎవరూ బాధపడరు అలాగని ఎవరూ సుఖపడరు
ఎవరికీ నష్టం ఉండదు అయినా ఎవరికీ ఇష్టం ఉండదు
అయినా ప్రపంచం సాగిపోతూనే ఉంటుంది
కష్టం చేసే వాడికే ఫలితం దొరికినప్పుడే
ఫలితం దొరికినవాడికే కష్టం విలువ తెలిసినప్పుడే
ఈ ప్రపంచం పరిపూర్ణత పొందుతుంది
కానీ, ఈ ప్రపంచానికి పరిపూర్ణత అక్కరలేదు కాబోలు
అందుకే ఎప్పుడూ ఇలాగే ఉండిపోతుంది
వాడికి క్షణకాలమైనా తీరికగా గడపటం చాలా కష్టం
కష్టం చేసే వాడికి ఫలితం దొరకకపోవచ్చు
ఫలితాన్ని అనుభవించే వాడికి కష్టం తెలియకపోవచ్చు
అయినా ప్రపంచం సాగిపోతూనే ఉంటుంది
ఎవరూ బాధపడరు అలాగని ఎవరూ సుఖపడరు
ఎవరికీ నష్టం ఉండదు అయినా ఎవరికీ ఇష్టం ఉండదు
అయినా ప్రపంచం సాగిపోతూనే ఉంటుంది
కష్టం చేసే వాడికే ఫలితం దొరికినప్పుడే
ఫలితం దొరికినవాడికే కష్టం విలువ తెలిసినప్పుడే
ఈ ప్రపంచం పరిపూర్ణత పొందుతుంది
కానీ, ఈ ప్రపంచానికి పరిపూర్ణత అక్కరలేదు కాబోలు
అందుకే ఎప్పుడూ ఇలాగే ఉండిపోతుంది
ఇదే ప్రపంచం
కనులకు కనబడునా గాలి నాట్యములు
చెవులకు వినబడునా చిరు గడ్డి సవ్వడులు
అయినా మనసు నమ్ముతుంది వాటిని
మది తెలుసుకొగలదా నదుల సరిగమలు
లేక కనుగొనగలదా చెట్ల భావములు
అయినా మనసు నమ్ముతుంది వాటిని
ఇంత భావాత్మక మనసును సైతం మార్చేస్తుంది ఈ ప్రపంచం
ఏ ప్రభంజనం లేక ప్రళయం వస్తే మారుతుందో ఈ ప్రపంచం
అయినా ప్రస్తుతానికి ఇదే మన ప్రపంచం
చెవులకు వినబడునా చిరు గడ్డి సవ్వడులు
అయినా మనసు నమ్ముతుంది వాటిని
మది తెలుసుకొగలదా నదుల సరిగమలు
లేక కనుగొనగలదా చెట్ల భావములు
అయినా మనసు నమ్ముతుంది వాటిని
ఇంత భావాత్మక మనసును సైతం మార్చేస్తుంది ఈ ప్రపంచం
ఏ ప్రభంజనం లేక ప్రళయం వస్తే మారుతుందో ఈ ప్రపంచం
అయినా ప్రస్తుతానికి ఇదే మన ప్రపంచం
తొలి పలుకు
ఆ కుసుమ కోమల ఆధారాల పై నేడు చిరునవ్వు విరిసెను
ఆ మధుర గానము విని కోయిల అబ్బుర పోయెను
మొదటి సారి మాటాల జల్లు కురిసెను
విన్న వారి హృదయాన హరివిల్లు విరిసెను
ఏమి మాధుర్యం ఆ పలుకులో
ఏమి వయ్యారం ఆ పసి కులుకులో
అమ్మ అని ముద్దుగా పలికింది ఆ బుజ్జి అధరము
ఆశ్చర్యపోయాయి గగనము భూతలము
మొదటి పలుకులో ఉన్న తీయదనము
మొదటి అనే భావనలో ఉన్న కమ్మదనము
కలకాలం నిలుస్తుంది మదిలో ఆ జ్ఞాపకము
ప్రతి పలుకుతో కావాలి అది ఉన్నతమైన జీవితము
ప్రతి శిశువుకి, ఇదే నా మనస్పూర్తి ఆశీర్వాదము
ఆ మధుర గానము విని కోయిల అబ్బుర పోయెను
మొదటి సారి మాటాల జల్లు కురిసెను
విన్న వారి హృదయాన హరివిల్లు విరిసెను
ఏమి మాధుర్యం ఆ పలుకులో
ఏమి వయ్యారం ఆ పసి కులుకులో
అమ్మ అని ముద్దుగా పలికింది ఆ బుజ్జి అధరము
ఆశ్చర్యపోయాయి గగనము భూతలము
మొదటి పలుకులో ఉన్న తీయదనము
మొదటి అనే భావనలో ఉన్న కమ్మదనము
కలకాలం నిలుస్తుంది మదిలో ఆ జ్ఞాపకము
ప్రతి పలుకుతో కావాలి అది ఉన్నతమైన జీవితము
ప్రతి శిశువుకి, ఇదే నా మనస్పూర్తి ఆశీర్వాదము
పసిడి పసిదనం
పసిడి గాజు, నేల మట్టి అన్నీ రుచిస్తాయి ఆ నోటికి
తోటి పాప, పేద ముసలి అందరూ పడుచులే ఆ కళ్ళకి
కల్మషం, విచక్షణా లేవు ఆ మనసుకి
ప్రతిదీ ఓ అందం, ఆనందం ఆ వయసుకి
నీటితో ఆటలు, కోయిలతో పాటలు
అమ్మ లాలీ, నాన్న కేళి అందరితో సయ్యాటలు
ఎంత హాయి ఆ జీవితం అదే అసలైన స్వతంత్రం
మళ్ళీ విహరించాలని ఉంది ఆ లోకంలో
మునకలు వేయాలని ఉంది మళ్ళీ ఆ మైకంలో
అసాధ్యమైనవి ఎన్ని సాధించినా ఇది సాధించడం అసాధ్యం
అయినా ప్రతి క్షణాన్ని అనుభవిస్తూ జీవించినప్పుడే ఈ జన్మ సుసాధ్యం
తోటి పాప, పేద ముసలి అందరూ పడుచులే ఆ కళ్ళకి
కల్మషం, విచక్షణా లేవు ఆ మనసుకి
ప్రతిదీ ఓ అందం, ఆనందం ఆ వయసుకి
నీటితో ఆటలు, కోయిలతో పాటలు
అమ్మ లాలీ, నాన్న కేళి అందరితో సయ్యాటలు
ఎంత హాయి ఆ జీవితం అదే అసలైన స్వతంత్రం
మళ్ళీ విహరించాలని ఉంది ఆ లోకంలో
మునకలు వేయాలని ఉంది మళ్ళీ ఆ మైకంలో
అసాధ్యమైనవి ఎన్ని సాధించినా ఇది సాధించడం అసాధ్యం
అయినా ప్రతి క్షణాన్ని అనుభవిస్తూ జీవించినప్పుడే ఈ జన్మ సుసాధ్యం
సౌందర్యం
బాహ్య సౌందర్యమే మిన్న, ఆత్మ సౌందర్యము కన్నా నీచులకు
ఆత్మ సౌందర్యం ఏమి ఉన్నా, పరమాత్మ సౌందర్యమే మిన్న యోగులకు
ఆత్మ సౌందర్యం ఏమి ఉన్నా, పరమాత్మ సౌందర్యమే మిన్న యోగులకు
Saturday, April 7, 2012
I LONG AGAIN
Oh, I am so old now, death is so near
And within grows the only fear
Fear of parting from your slender arms
Those held each time to pacify my qualms
And at times when I rejoiced,
Just being held made me poised
I lived being held by you, all my life
And you lived to behold me as my wife
I wish thus, not to pass on but want to live on
But life isn't so nice, its far very cruel
Coz, when reminiscing you hug
I just realized what I didn't realize then
The deep breath you took
While passing away into tranquility
And I am not happy here, alone
I long again to be held in your arms
Friday, April 6, 2012
JUVENILE HEART
“DIL TO BACHHA HAI JI” – A HINDI SONG TRANSLATION
Entangled looks, can’t stay away from her
No bite how strong, can break a fine strand
The rains of youth have long withered
But their obscure clouds still shy to fade
The heart beats in a haze,
Radiance is flying to the sky
Heart says, 'it’s worse to be alone than to die'
Coz the heart is still juvenile
It’s still fresh with a smile
Who knew, while in the veil that it was a toy?
As I thought it was just another mendicant of joy
How much ever, I scream or push
Or in keenness think of every word
The heart is a cheat that deceives in the rush
Lest someone stops or throws to the wind
In such age now I shall face wiles
Coz the heart is still juvenile
And can give pain every while
Such pain has sat within that to smile is so tough
The age passed in loneliness, and in senescence, it did strike
Each beat says you are coming this way
And of love, shall the daggers sway
Such moments, why can’t they pass?
Why can't eyes, from you, keep off
In trepidation, I dare not say
Coz the heart is still juvenile
Waiting to see your smile not once but every while
In my journey's every step every mile
Monday, April 2, 2012
FOOLS (A PLAY) - ENGLISH
About the play:
When young and earnest schoolmaster Leon Tolchinsky arrives to teach the people of Kulyenchikov, little does he know about the different sensibilities of the villagers (or the lack of it). A vendor who sells flowers for fish, a shepherd in search of sheep, a butcher sweeping dust back into his shop. The russian abode sure lies low on common sense. That the villagers are bunch of fools is certain.
Leon takes it upon himself to educate them and add some logic to their lives. But a special student awaits to be tutored before Leon can cater to the rest. To add to his worries he has limited time to do so. Else the consequences could be devastating. Will Leon have to do more than just a schoolmaster to the village? Will the shepherd find his sheep? Who is this 'special' student? Will the fools be foolish forever?
My Review :
All those who are proud of watching this play, I am with you . This is great in terms of acting and as the writing of Neil Simon goes, few things can be improved. the Dramanon team has done a great job in getting things together and executing in a hilarious way. Rahul Ghosh was simply the star and the gorgeous Harika was his perfect heroine. Others chipped and I liked (Nikolai Zubritsky) RK Shenoy the most among others. All did their part well, and I just found Slovitch's accent a bit out of place. The acting is just perfect for all.
The dialogues are well done and so did the production, set design and costumes team, kudos to all. Technically too this was great, but a door was found missing for which the sound had to pitch in, good job guys in managing this too. It was surely hilarious and the best part was timing and spacing of dialogues, the tempo of the play was never lost though it had a break. It was like a feature film break and it would have been better off without any break.
Good job RK Shenoy and all others who made this a fun watch. Kudos and am waiting for more such plays from Dramanon.
Yeah, surely Stupidity brings life coz it brings fun and what a way to celebrate the Fools Day, thanks all for the gift you gave me.
Sunday, April 1, 2012
నడువు నడువు
నడువు నడువు,
వడి వడిగా విడి విడి అడుగులతో
నిజాల గొడుగుతో
జీవిత సొరుగులోకి
నడువు నడువు
వడి వడిగా విడి విడిగా
కలిసి బ్రతుకు, కలిసి మెలుగు
అలసి సొలసి మళ్ళీ పరుగు
ఒంటరిగా ఒంటరి బాటలో
సత్య కాగడా చేబట్టి
అబద్ధాల కలుపుగోలు ప్రక్కన పెట్టి,
నడువు నడువు
వడి వడిగా విడి విడిగా.
ఇరుకు బ్రతుకు
కాదు కథ కాదు కల
బ్రతుకు ఇది ఇరుకు బ్రతుకు ఇది
లేవు లేవు కలలు మా సొరుగులో
అసలు లేవు కళలు మా అరుగులో
ఉన్నదంతా ఒక్క వ్యధ
అదే గాధ ఆకలి బాధ
అదే కలా అదే కళా
అదే జీవిత సంద్రపు తొలి, తుది అల
యవ్వనపు తొలి వల
యవ్వనపు తొలి వల
ప్రేయసి తొలి కల
తొలి ప్రియుడి కాంక్ష అలా
సాగిస్తారు బ్రతుకు ఇలా
కొలను గట్టు ముచ్చట్లు
గడ్డి చాటు అచ్చట్లు
మట్టి చేత చప్పట్లు
ఇక పై పడే ఇక్కట్లు
అది కలల కత్తి ఒర
మనసు మురిపించే వలపు ఎర
రంగులలోకం అది మరి
యవ్వనపు తొలి వల
ప్రేమకై ప్రాకులాట
కలలు కావు నా తలపులు
కానీ అసత్యం కావు నా వలపులు
కోరికలను కౌగిలిలో తీసుకుంటూ
ఆశలతో మదికి ఊపిరినిస్తూ
నిట్టూర్పులను వీడి ఓర్పు తోడుతో
ప్రేమకై ప్రాకులాడే ఒంటరి పావురం
అది నేనే, అది నేనే అంటోంది మనసులోని కలవరం
నాకూ ఒక చెలి కావాలి
స్వేచ్ఛా పంజరం లో విహరించటానికి
కానీ అసత్యం కావు నా వలపులు
కోరికలను కౌగిలిలో తీసుకుంటూ
ఆశలతో మదికి ఊపిరినిస్తూ
నిట్టూర్పులను వీడి ఓర్పు తోడుతో
ప్రేమకై ప్రాకులాడే ఒంటరి పావురం
అది నేనే, అది నేనే అంటోంది మనసులోని కలవరం
నాకూ ఒక చెలి కావాలి
స్వేచ్ఛా పంజరం లో విహరించటానికి
Saturday, March 31, 2012
HUGO (2011) - ENGLISH
A movie that begins notoriously and ends nonchalantly. A trip worth taking.
The name HUGO is the character played by a boy who fixes things. He begins by fixing machines and by the end fixes humans too. It's a simple and yet so well presented. Director Martin Scorcese who is legendary and has a vision of a genius brings this out beautifully right from the very first frame. The scene where the camera traverses all possible things just to give us the glimpse of where the boy is right at the beginning is in itself a statement and the mood has been set for the ride.
This in itself seemed to be a Martin Scorcese biopic as the one who had to find himself in his movies. He was not lost or absent, he was there all these years, yet something was missing, something what I loved in Taxi Driver, Raging Bull, Goodfellas was missing and Hugo just brought his touch back. That is, the movie digresses into various subplots and yet the central theme remains a stand out. The whole trip begins with the hint of a girl being avoided for movies. It takes from there on to a different level of discovering a masterpiece and the master behind it.
So in his discovery, there are so many things that unfold and the best part is to know how cinema was made. So I loved this in every way and I wish Scorcese just keeps the film rolling and brings out more adventures like this.
Scorcese made documentaries on great film makers like Kubrick etc.. but this was his greatest tribute to cinema in itself.
A 4/5 for a movie that's a must watch. I wish it was released in India so that I can catch the 3D fun, but I am happy with the blu ray I got for now.
PATRONIZE TO GO BACK
Patronize, I did all the dirt and the mist
Now, I got myself cleaned up
But, then came an unpredictable twist
To take me back to where I began
Now, I want to run away
To somewhere even if it's dark
Where it's better than this place
Coz, this has given nightmares indelible
I wish, I could erase my memory
And forget the tragedy, I have been through
But, the indelible mark of the mist
Makes me recede and presents no other way
MUSIC TO ME
Music is the only thing that saves me and helps me survive the trauma the turmoil the mundane the exuberance and the embellishments/trappings.
I discovered this in my loneliness, togetherness. And I am happy that I did coz I can resort to it anytime.
Music completes me in every sense. I have a ear for any kind of song, and shall keep only what I like.
What is left is in my life is to sneak out of the job that I am doing, I hope this will end soon.
I discovered this in my loneliness, togetherness. And I am happy that I did coz I can resort to it anytime.
Music completes me in every sense. I have a ear for any kind of song, and shall keep only what I like.
What is left is in my life is to sneak out of the job that I am doing, I hope this will end soon.
VACATION LESSON - I AM A NOBODY
Originally written on Jan 20 2010.
I was on a trip to and was off from work for 10 days and on the return I just realized that I AM A NOBODY; irrespective of my presence things will happen. It was a great feeling this time coz I seldom felt like this, being a no body is in it self a great thing. It relieved me from all apprehensions that hey how would this happen, how would that work, will things be right if I leave and all that.
This is a great lesson and again emphasizes only one fact, I am the most important being only to myself no one would care a damn. But I would do what I believe in as long as I live. It's not the strife of becoming somebody, it's not becoming anybody either it's just that my heart now says "do what u like and what u love to coz u are after all a nobody, so now you got more freedom to do what u wanted to".
I was on a trip to and was off from work for 10 days and on the return I just realized that I AM A NOBODY; irrespective of my presence things will happen. It was a great feeling this time coz I seldom felt like this, being a no body is in it self a great thing. It relieved me from all apprehensions that hey how would this happen, how would that work, will things be right if I leave and all that.
This is a great lesson and again emphasizes only one fact, I am the most important being only to myself no one would care a damn. But I would do what I believe in as long as I live. It's not the strife of becoming somebody, it's not becoming anybody either it's just that my heart now says "do what u like and what u love to coz u are after all a nobody, so now you got more freedom to do what u wanted to".
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About Me
- Brad Dugg
- I firstly declare here that all the content written in the blog is exclusively written by me and I hold the copyrights of each and everything. Be it a poem or a movie review. Also, the videos or photographs I upload or attach are exclusively owned by me. This declaration is important in a world that seems so worried of piracy. The prime purpose of these blogs is to put my writings and photographs on the net. and well to start with.... I live in my mind, and existence is the attempt to bring my thoughts into physical reality, I celebrate myself, sing myself and I am always happy in my own company.....I am not the best in the world but I strive for excellence and thats what keeps me alive... Talking much about oneself can also be a means to conceal oneself--Friedrich Nietzsche



